Laney LFR-112 Gabinete de guitarra

Laney LFR-112 — FRFR Active Guitar Cabinet for Digital Rigs

This 200 W active FRFR (Full Range Flat Response) guitar cabinet was purpose-built for players who run amp modelers and profilers on stage. Unlike a traditional guitar cab that colors the signal, this powered unit delivers a neutral, uncolored platform so every patch from a Helix, Kemper, or Quad Cortex sounds exactly as designed. The LFR-112 is the right choice for digital-rig guitarists who need a faithful, full-range reproduction of their modeled tones at live volume.

What Sets this instrument Apart

The 2-way active design pairs a custom 12-inch woofer with a 1-inch LaVoce compression driver, a configuration borrowed from professional PA cabinets rather than traditional guitar speakers. The rear-panel HF trim knob lets players dial in the high-end response on the fly without rebuilding presets, while the XLR DI out with switchable 1x12 and 4x12 cabinet emulation makes it easy to feed a front-of-house mix or recording interface with mic'd-up tones straight from the box.

Power and Driver Configuration — Stage-Ready Headroom

With 200 W of clean amplification on tap, this unit has enough headroom to keep up with a full band on stage without compressing modeled tones. The 2-way driver arrangement splits the work between a 12-inch custom woofer handling the low end and a 1-inch LaVoce compression driver covering the highs, ensuring every frequency in a preset reaches the audience intact.

• Power output is 200 W, providing clean headroom for stage volume.
• Woofer: 12-inch custom driver — handles low frequencies with authority
• Compression Driver: 1-inch LaVoce — delivers articulate high-end response

Flat Frequency Response — True to Your Modeled Tones

FRFR means the cabinet reproduces what the modeler sends it without adding its own voice. Coverage spans 47 Hz to 20 kHz, reaching the full range of guitar, bass, and effect-laden sounds a digital rig can produce. This wide, flat response means djent, clean tones, ambient shimmer, and high-gain saturation all sound as the patch designer intended.

• Frequency Response: 47 Hz – 20 kHz — full-range coverage for any modeled tone
• HF Trim: rear-panel knob — adjust high-end to suit the room
• Cabinet Design: closed-back — tight, focused low-end projection

I/O and Stage Features — Built for the Working Guitarist

Wired for real-world stage and studio use, this cabinet accepts inputs from any modeler or preamp via XLR/Jack combi sockets, while the aux in lets a click track or backing track be patched in alongside the guitar signal. A link out passes signal to a second cabinet for larger stages, and the XLR DI out with switchable cabinet emulation sends a mic'd-up tone directly to the front-of-house mixer or recording interface.

• DI Output: XLR with switchable 1x12 / 4x12 emulation
• Inputs: XLR/Jack combi sockets, aux in, link out
• The front panel features toggleable illumination for increased stage presence.

Who Should Use the LFR-112

This model is the right choice for guitarists who have moved to digital rigs and need a powered cabinet that reproduces their modeled tones with accuracy and authority. It suits touring players using Helix, Kemper, Quad Cortex, or Axe-FX systems who want stage volume without relying solely on a house PA. Worship leaders, cover-band guitarists, and home-studio players looking for a single cabinet solution for both live and recording work will also find this gear a practical fit. The built-in DI with cabinet emulation means a fully mic'd tone can be sent straight to the desk without external IR loading.

Laney Amplification — British Amp Heritage Since 1967

Laney was founded in 1967 when Lyndon Laney built an amplifier for his own band, launching a British amp brand that has since shipped gear to every continent. The LFR series represents the company's commitment to the digital revolution in guitar, applying decades of cabinet and amplification know-how to the FRFR format. This series offers a scalable FRFR solution from club gigs to arena stages.